Which means you’ll save taxes and shipping charges, if any. The bag, with a clear top screen for your cellphone, retails for $19.99 on Amazon. Read the announcement at filmlinc.Orange County bike advocate and tandem pilot - or maybe stoker - Mike Wilkinson says he has a brand new ROCKBROS Waterproof Top Tube Bag he’s not going to use.Īnd he’ll send it to the first person who donates $20 or more to BikinginLA. STRANGENESS | June 4 at 8pm & June 8 at 12:30pmĪt this year’s Open Roads, we pay homage to Mario Martone (a perennial presence in the festival’s lineup) by showcasing his most recent fiction film alongside two essential works from earlier in his career: MY SUMMER WITH THE SHARK | June 3 at 8:30pm (with Q&A) LORD OF THE ANTS | June 5 at 6pm & JUNE 7 at 3pm LIKE TURTLES | June 4 at 5:30pm (with Q&A) Opening Night selection: STRANGENESS | June 4 at 8pm & June 8 at 12:30pmĬHIARA | June 2 at 3pm (with Q&A) & June 7 at 9pmĭELTA | June 4 at 2:30pm (with Q&A) & June 6 at 3pmĭRY | June 2 at 6pm (with Q&A) & June 8 at 3pmįIREWORKS | June 1 at 3:30pm (with Q&A) & June 6 at 6pm See more and save with the $89 All-Access Pass or the $45 Student All-Access Pass. 🎟 go on sale this Wednesday at noon ET for FLC Members and Thursday at noon ET for General Public. We're thrilled to celebrate the 22nd edition of Open Roads: New Italian Cinema, taking place in our theaters June 1-8! #NYFF61 Passes are currently on sale and single tickets will go on sale to the general public on September 19. Touching on modern anxieties of AI and incel culture, which may recur throughout history as commonly as love and hate, THE BEAST, like all good science-fiction, asks essential questions about the ever-shifting status of humanity itself. In so doing, she realizes her fate has long been intertwined, for better and worse, with a young man (George MacKay). Using Henry James’s haunting 1903 short story “The Beast in the Jungle” as his film’s provocative inspiration, Bonello tells the story of a young woman (Léa Seydoux) who undergoes a surgical process to have her DNA-and therefore memories of all her past lives-removed. Here he has created a dynamic and disturbing parable that jumps between three different time periods (1910, 2014, and 2044) to diagnose our acute-and perhaps eternal-feelings of estrangement and alienation. premiere at #NYFF61.Ī filmmaker consistently unafraid to wade through the weird miasma of contemporary life, Bertrand Bonello works from the outside in, dramatizing the psychological toll of the political and cultural world around us. And in a quartet of superb performances, Scott, Mescal, Jamie Bell, and Claire Foy pierce straight to the heart.įeast your eyes on the newly released poster for Bertrand Bonello’s THE BEAST, a Main Slate selection of this year’s festival and making its U.S.
Adapted from a 1987 novel by Taichi Yamada, ALL OF US STRANGERS is uncommonly perceptive about the desires, fears, and traumas of a specific generation of gay men while extending into the universal-or perhaps the cosmic-in its depiction of familial love and estrangement. At the same time, Adam begins another, parallel journey, venturing out to the city’s suburbs to confront his troubled past and perhaps reconcile his unsettled present. Adam (Andrew Scott), a melancholy screenwriter living alone in a newly built, nearly empty high-rise on the outskirts of London, meets and tentatively begins a passionate relationship with the more extroverted Harry (Paul Mescal), his apparent only neighbor in the building.
Check out the new poster for Andrew Haigh’s ALL OF US STRANGERS, an #NYFF61 Main Slate selection screening on October 1, 2, & 8!īritish director Andrew Haigh, whose 2011 feature breakthrough WEEKEND is among the most widely beloved queer romances of the 21st century, has returned with an expertly modulated, emotionally overwhelming love story suspended in a metaphysical realm.
0 kommentar(er)
